Porgy and Bess
Original Souvenir Program
Mamba's Daughters
First Edition Book

Just as George Gershwin crowned his brilliant career with the music for "Porgy and Bess," so did DuBose Heyward leave behind as his lasting monument the story of "Porgy," the crippled beggarof Charleston, S. C., which has served as the libretto for the first great American folk opera.

"Porgy" which has served literature, drama and music so well ... was DuBose Heyward's conception from the very beginning. He first wrote the character as a novel and in 1927 with his wife Dorothy, dramatized it for the Theater Guild. The play "Porgy" ran for more than 300 performances in New York, went on a long cross-country tour, played a return engagement in New York and was finally produced in London before being "put to bed."

A native of Charleston himself, Mr. Heyward [although white] knew well and appreciated the atmosphere in which Porgy was created. There is a real Catfish Row in Charleston, and there long existed a beggar who traveled around the city on a goat-cart begging for a living. Mr. Heyward had started his literary career with short stories of Negro life in his native South, and when he finally gook up the story of "Porgy" he was already considered one of the finest writers on the Negro theme in the country.

Aside from his interest in Negroes as a dramatic and vivid part of the literary life of America, Mr. Heyward had found time to establish the Poetry Society of South Carolina and write several popular novels... When he returned to the Negro theme it was again with a novel, "Mamba's Daughters." Immensely successful in its original form, the Heywards soon transformed "Mamba's Daughters" into a drama and it was equally successful on Broadway, starring Ethel Waters with Georgette Harvey the beloved Maria in "Porgy and Bess," as old Mamba.

Mr. Heyward's excursion into the films resulted in his doing the screen version of Eugene O'Neill's "Emperor Jones" starring Paul Robeson.


Notes taken from the original Souvenir Program shown above.
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his cat, Christopher—The Lost Zoo (1940), and My Lives and How I Lost Them (1942).* He also collaborated with Arna Bontemps on a musical entitled St. Louis Woman.